Wilfred Owen Essay, Research Paper

& # 8220 ; Owen uses Poetry as a powerful Weapon & # 8221 ;

Owen uses his poesy as a really powerful arm. He does this by utilizing clever and well-constructed poetical devices and techniques. Two of his verse form which convey his powerful poesy are & # 8220 ; Dulce et Decorum Est & # 8221 ; and & # 8220 ; Strange Meeting & # 8221 ; . In & # 8220 ; Dulce et Decorum Est & # 8221 ; , Wilfred Owen attacks the old prevarication and the perceptual experiences of war at place, and shows the indignity and horror of the war. He does this by strongly carrying the reader that war is non romantically epic, but pointless, utilizing his powerful techniques. In & # 8220 ; Strange Meeting & # 8221 ; , Owen of war, and society & # 8217 ; s prostration without converting poets. Owen ultimate love of persuasive poesy is revealed stongly in & # 8220 ; Strange meeting & # 8221 ; . He shows war on a first-hand footing, and recounts it in his experience into his poesy. This is what makes Wilfred Owen & # 8217 ; s poesy so powerful.

In & # 8220 ; Dulce Et Decorum Est & # 8221 ; , Wilfred Owen attacks the Old Lie: & # 8220 ; Dulce Et Decorum Est, pro Patria Mori, every bit good as perceptual experiences of war being romantically heroic, in his clip. He attacks this line by utilizing sarcasm in his poesy. The rubric & # 8220 ; Fulce Et Decorum Est & # 8221 ; translates into: It is sweet anf honorable, but on the first line of the verse form shows the exact antonym of what is expected. & # 8220 ; Bent Double like old Beggars under pokes & # 8221 ; doesnt demo any glorification in war. This is a simile. Owne uses a whole twine of similes in his poesy to convey hois thoughts. He besides uses compelling metaphors, graphic imagination and in writing inside informations of the indignity of war.

Wilfred Owne besides shows the awful indignity of war in, after a awful mustard gas onslaught, in the start of the 2nd stanza. The dead soldier is & # 8220 ; flung & # 8221 ; into the waggon. This shows the indingnity and deficiency of regard on the battlegrounds. Owen entreaties to immature work forces of his clip that war is non a canonized conflict. He uses sarcasm to interrupt down the old Lie, the words of a Roman poet who lived int he first century AD.

Owen uses onomatopoeia to demo the absolute horror of the mustard gas onslaught. & # 8220 ; Guttering, choking, submerging & # 8221 ; . These words show the on-going nature of hurting being endured by a adult male death of a mustard gas onslaught. Owens graphic imagination persuades the reader against war being a canonized conflict. & # 8220 ; Come gargling from the foam corrupted lungs & # 8221 ; . This is an highly powerful imagination, as it paints a mental image in the readers mind. It is comparing the province of the lungs to the corrupted Satan. The poetic technique that Owen uses in & # 8220 ; Dulce

Et Decorm Est” is diffident. It is a mixture of intentionally disrupted rythyms to demo the break of war. Owen didn’t want to utilize a traditional method, as it would sound like a vocal. Owne is seeking to do the reader effort to see the horror of war- every bit good as hear the bombs, gunshot and shouting. If the verse form had a proper rhythym it would be like a coronach for the death, alternatively of a traditional rhythym.

Owen breaks these traditional heroic style- utilizing broken Iambic Pentameter ( 10 syllaboles per line with 5 stresses- the emphasis sounding on the 2nd sylabol of each pes ) . Here, he shows the existent horror of war by interrupting the tradition that war is a romantic canonized conflict.

Owen uses the same technique in another of his poems- & # 8220 ; Strange Meeting & # 8221 ; . he breaks the beat to demo the horror of war int his verse form, excessively. & # 8220 ; Strange Meeting & # 8221 ; shows the absolute inanity and futility of war. He does this by composing about a vision of deceasing and being in snake pit with an enemy. The verse form goes on to demo what a waste of life the war is, when they find out that they are both poets. The character in this verse form appears to be Owen: & # 8220 ; Strange Friend, I said & # 8221 ; This is an oxymoron because the two words contradict each other. He is unusual because they have so much in common. They have the same aims- to assail perceptual experiences of glorification back place, as they are both poets. they are mourning over the fact that they have lost clip to compose poesy, to animate people against war. Owen uses many lines which merely show the inutility and inanity of war. & # 8221 ; Into vain bastions is a military stronghold- and it is non walled & # 8221 ; – there is no point. This echoes the whole point of the futility of war.

Both poets are unhappy that they have lost the clip to carry and animate people in poesy, but besides because they have lost their clip to happen pure poetical beauty & # 8220 ; Which lies non calm in eyes, or braided hair. & # 8221 ; Owen points out that the beauty in his poesy is non pyscial & # 8211 ; it is in his desire to show poesy.

Owen true love of poesy, and the truth involved in it is what makes Owen & # 8217 ; s poesy so powerful. It is written truthfully and from the bosom utilizing compelling metaphors and similes every bit good as other poetical devices and techniques. He shows the indignity, futility and the arrant commiseration and shame of the thought of the war. He attacks incorrect perceptual experiences and the old prevarication. Owen & # 8217 ; s poesy is so powerful because it is written with first-class techniques, every bit good as the truth and first-hand experience.