Music Report Essay, Research Paper

There are many different musical genres runing from the soft sounds of classical music, to the loud knocks of hood and stone, to the cheerful energetic notes of dance music. There is a type of music for everybody. No 1 could every state there is non any type of music that they would bask listening to. The musical event that this paper will be written on involves one of the oldest signifiers of music, classical music.

Classical music is music written fundamentally for opera, concert dance, spiritual services and of class, concerts. There are two basic types of classical music, instrumental music and vocal music. When the pieces are composed, both vocal and instrumental, they are designed either for a individual instrument or individual, a little musical or vocal ensemble or a big orchestra or chorus. It is non uncommon to happen plants that contain parts for both the instruments and the people.

There are many different fluctuations of classical music. Some pieces are short while others could be highly long. The pacing and manners are different in every piece. Each single composing consists of several different pacing. The pacing and the alone manners are what makes classical music so appealing to broad audiences.

It is believed that classical music began in the early 1300 & # 8217 ; s, nevertheless there is no direct grounds, because people in the yesteryear did non compose down their music. Some of the more interesting period of classical music through out the old ages were as follows. First, there was the Renaissance period ( 1450 to 1600 ) . Following came the Baroque period ( 1600-1750 ) and the Classical period ( The 1700 & # 8217 ; s ) . The Classical period featured such people as Joseph Haydn and Wolfgang Amadeus Mozart from Austria and Ludwig van Beethoven of Germany. The Classical period was so followed by the Romantic epoch. This clip period was place to Franz Schubert, Felix Mendelssohn, and Frederic Chopin. After the Romantic epoch came the 1900 & # 8217 ; s and today & # 8217 ; s classical music.

The concert being discussed in this paper occurred February 28th, 1959 in New York City at the legendary Carnegie Hall. The New York Philharmonic, conducted by Leonard Bernstein performed Humor in Music, one portion of a series of musical public presentations called New York Philharmonic Young People & # 8217 ; s Concerts. This concert consisted of assorted composers including Walter Piston, Paul White, Gershwin, Haydn, Prokofieff, Mahler, Strauss, , Mozart, Shostakovich, Copeland and Brahm.

A jammed Carnegie Hall became soundless when music director Leonard Bernstein walked on phase and began his debut on wit and music. He explained all the different types of wit in music ranging from humor to satire. After a some what long debut the musical portion of the plan eventually got underway.

The first piece played was The Great Parade by Walter Piston. It was really loud and out of control. The composing soun

ded like it was made for a brass processing set instead than a symphony orchestra. The piece was really amusing because the instrumentalists were traveling brainsick moving like they were at a parade or a circus instead than at Carnegie Hall.

The following vocal is known as the Mosquito Dance composed by Paul White. This piece was designed to make an consequence of a mosquito winging about. The woodwind instruments created the high pitched sound of an insect. This work came to a stopping point with a loud knock, the decease of the mosquito.

Bernstein so introduced a really good known piece, An American in Paris by Gershwin. The work is really loud and cheerful. It wants to do you believe that you are in a really busy fast paced metropolis, sounds of cab cab horns can even be heard throughout the vocal.

Then came Haydn & # 8217 ; s Symphony No. 88 in G Major. The strings were really outstanding in this piece. The same fast traveling tune is heard continuously throughout the vocal. At times it gets really slow and quiet, but of class it returns to its normal high noise degree.

Haydn & # 8217 ; s symphonic music was followed by Prokofieff & # 8217 ; s Classical Symphony. This was a really elegant piece. Once once more, the strings of all time really apparent, sometimes they were played on a regular basis and at other times they were plucked. This was a slow and category dance piece.

Mahler & # 8217 ; s Symphony No. 1 came cyberspace. Mahler took the really good known kids & # 8217 ; s vocal Freyr Jacques and played it in a minor key. He took a really happy visible radiation vocal and made it really dark gloomy and depressing.

Mozart & # 8217 ; s Musical Joke was one of the most interesting parts of the public presentations. The piece begins really nicely. At the start its really pleasant and gratifying. As the piece comes to a stopping point, all the instruments end up playing to incorrect notes at the incorrect clip.

The New York Philharmonic followed Mozart & # 8217 ; s Musical Joke with Shostakovich & # 8217 ; s Polka from & # 8220 ; The Golden Age & # 8221 ; . This piece contains a really nice tune with a changeless alteration of round. To spice up the music, loud hideous notes are indiscriminately played.

One of the last pieces of the public presentation was Music for the Theater by Copeland. This work sounds like person is crawling around making something they shouldn & # 8217 ; t be. This piece is really dramatic and the same tune is frequently repeated.

The concert concluded with Brahms Symphony No. 4 in E child. The whole orchestra is invariably involved in Brahm & # 8217 ; s creative activity. The piece starts out really loud and exciting at times it slows down. No affair what the pacing, it & # 8217 ; s ever pleasing and interesting.

There were several other little pieces throughout the public presentations. The assorted composers made the show really diverse and entertaining. The concert consisted of humourous types of classical music. It exposed many different thoughts of classical music.

Plants Cited

Haydn, Franz Joseph Compton & # 8217 ; s Encyclopedia Online, 1999. 30 March 1999

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