Owen`S & # 8220 ; Dulce Et Decorum Est & # 8221 ; Essay, Research Paper

Owen? s verse form serves to bring out the prevarication that & # 8220 ; it is sweet and going to decease for one? s country. & # 8221 ; Owen & # 8217 ; s usage of enunciation, graphic linguistic communication, and in writing imagination emphasizes his point. The verse form describes the weariness, sightlessness, immorality, lewdness, decease, agonies, and disgust of war. It shows the true life of a soldier, lying low, ailment, infinitely sloging through clay with bloody pess, off from and into the hurting of gas toxic condition of companions, and off from the injured and dead, but ne’er off from the memories. It ends with a acrimonious onslaught on those who see glorification in the decease of others.

The lone beauty in this verse form is an thought that remainder will come. Unfortunately, it is pointed out that the lone remainder is an undignified decease ; for those who sleep, sleep restlessly. The ugliness of war is described as low & # 8220 ; like old mendicants under pokes & # 8221 ; , diseased & # 8220 ; coughing like hags & # 8221 ; , & # 8220 ; blood-shod. All went square, all blind & # 8221 ; , wash uping & # 8220 ; rummy with weariness & # 8221 ; , pointless & # 8220 ; flound? ring. . . Dim. . As under a green sea. . . submerging & # 8221 ; , careless of life or dead & # 8220 ; flung & # 8221 ; aside, evil & # 8220 ; like a Satan? s sick of wickedness & # 8221 ; , gross outing like & # 8220 ; eyes wrestling. . . blood gargling from the froth-corrupted lungs. . . vile, incurable sores & # 8221 ; , & # 8220 ; bitter as the rechewed food & # 8221 ; , and merciless & # 8220 ; on inexperienced person tongues. & # 8221 ;

The comparings of lines 1, 14, 20, and 23 through 24, describe the soldier as person the reader can see and war as the disease Owen wants the inexperient to understand.

1 Bent double, like old mendicants under pokes,

14 As under a green sea, I saw him submerging.

20 His hanging face, like a Satan & # 8217 ; s sick of wickedness ;

This places the reader in T

he soldier? s topographic point? drowning, stumbling, and fumbling–and shows the deficiency of glorification in war. These lines tell the reader what a adult male becomes one time he has been to war? less than an admirable homo, drowned in evil workss, and emotionless.

Lines 23 and 24 give war a character.

23 Obscene as malignant neoplastic disease, piercingly as the rechewed food

24 Of vile, incurable sores on guiltless linguas, & # 8211 ;

They create a touchable entity for the reader. They show the truth of the animal of war? cancerous, acrimonious, incurable? and its ageless, undignified consequence on the inexperienced person.

Owen uses plural pronouns and the past tense to depict what can non be undone. He uses & # 8220 ; we & # 8221 ; and & # 8220 ; our & # 8221 ; to include the reader as portion of the ill-equipped military personnels? as tired marchers and informants to decease and hurting. Owen alterations to the present tense and remarkable pronouns to turn out he was at that place and speaks specifically to those who could non cognize without experience. He relates urgency through his personal experiences to those who might believe that to decease in war is a glorious and epic act. He points a really strong finger at those who would act upon the inexperienced person.

The idea of killing, watching companions be killed, and of invariably seeking to last is hideous. Owen & # 8217 ; s precise inside informations of the emotions, ideas and sights of the soldier, win to drive the full horror place. The scene witnessed by Owen is detailed plenty to look familiar. All the senses are used by Owen ; the changeless inputs of sound, odor, touch every bit good as sight addition the dimensions of his images. He attempts to link war with other facets of human agony. Owen makes images and actions recognizable, even to those who have ne’er experienced war.