The Hand Essay, Research Paper

Young matrimony, is it sometimes rushed into?

A immature matrimony described in The Hand

In The Hand, by Sidonie-Gabrielle Colette, the secret plan centres around the thought of a immature twosome that merely got married and are lying in bed entirely while the hubby slumbers and the married woman remains awake. The more cardinal character would decidedly be the married woman while she is besides dynamic in the narrative. Colette is considered one of the important women’s rightist of the 20th century. Her narrative The Hand portrays many of her feminist properties. I believe that this narrative tells of a past experience or represents some kind of significance to her matrimony life. Colette was married three times which gives her a batch of cognition and experience in the matrimony field. This narrative tells of a immature matrimony that was rushed into and possibly the immature married woman was unsure of her committedness.

At the beginning of the narrative, the married woman and hubby are described in a sleeping room puting with a little light reflecting from across the room. The married woman has merely been married for two hebdomads and as the writer describes, she had begun to populate the disgraceful life of a newlywed or in other words the matrimony life was a daze to the married woman. The writer besides describes that her connubial escapade had been a little more than a snatch, which fundamentally tells the reader that the matrimony came speedy and without warning. The reader is informed that the honeymooners were married a month subsequently of run intoing each other, which for

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today s society is hotfooting into matrimony.

Furthermore, her attitude becomes dynamic, because of a certain defect that she finds unattractive. As the twosome lies in bed, Colette describes how the hubby is so good looking and athletic. As she lies at that place, she thinks of how perfect he is, including his long ciliums, his oral cavity, and his tegument the colour of pink brick. As she continues to enjoy the minute of still being immature and a honeymooner, she begins to analyze his manus which is wrapped tightly around her.

As she looks at the manus she begins to recognize that it is different than she had thought it would be. She referred to his arm as an animate being which makes her pay close attending to the manus in which it is attached. She besides thought to herself, It s so large! It truly is bigger than my whole caput. These remarks begin to do her realize that her hubby is non every bit perfect as she had thought him to be. The married woman s response to the hubby s manus truly gives the reader a graphic image of how beastly the manus seems.

As the married woman lies there she continues to diss her hubbies manus and continues to give the reader the facts of her hubby s defect. She describes the manus to go ugly as the visible radiation from the Moon begins to put on the manus. The manus starts to go powerful looking and chilling. All the venas show due to the moonshine and she begins to detect the ugly ruddy hairs that rest upon the brass knuckss and the top of his manus. She besides notices the pink varnish on his finger nails. She responds to I ll state him non to seal his nails and usage pink gloss on a manus that is so & # 8230 ;

She is stopped before she ca

Ns make any longer ill-mannered remarks about his manus as he

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leaps in his slumber as if he is listening to every word she is stating. She continues on as she compares his manus to an ape, The pollex stiffened out, dreadfully long and spatulate, and pressed tightly against the index finger, so the manus all of a sudden took on a vile, anthropoid visual aspect. Powerful feelings begin to arouse the married woman and she grows hateful toward his manus s minor and physical retarded skin color. Besides startled by the manus s actions and visual aspects, she responds by a sudden Buckeye state! a few times in the short narrative. These startled reactions leave the reader with suspense as she expresses her fright towards the manus.

Because of her addition of fright, the writer s women’s rightist composing rapidly turns the adult male s manus into the adversary. While go oning to depict the manus as a plastic animal, the writer denotes the manus as a symbol for matrimony s disadvantages. All matrimonies come with dissatisfactions which the writer portrays in this narrative, The Hand. The married woman surprisingly thinks, And I ve kissed that manus! How atrocious! Haven T I of all time looked at it? That rapidly lets the reader know that because of such a sudden matrimony that the married woman has non been with her mate long plenty to pay attending to the small things that she may non wish about him. Once once more, Colette portrays the idea of hotfooting into matrimony and topographic points an image for the reader.

Despite the fact that the married woman is unsure about the determination of get marrieding person she hasn T known good, Colette once more proves the married woman to be a dynamic character. Colette describes the manus and arm as a protective belt and rampart, or wall, against all fright. The sarcasm shows in this narrative when the married woman is frightened by his manus s visual aspect, but at

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the same clip the manus protects her and keeps her safe from injury.

In the terminal, or the following forenoon, the loving hubby comes to bed with breakfast and she one time once more notices the beastly manus. It is once more shown that she is frightened by depicting her tegument creep, while she looks at the manus. Although frightened and feeling discomforted, the married woman hides her fright and begins her vernal matrimony by accepting the visual aspect of the manus. She leaned over and meekly kissed the monstrous manus. This besides proves that the writer is utilizing sarcasm. Earlier in the narrative the married woman complains about snoging the animate being like manus, but swallows her fright and kisses the protective manus after the hubby brings her breakfast in the forenoon.

In decision, the writer s point of position is that the married woman rushed into matrimony before she knew the effects that come with matrimony. Throughout the narrative the married woman is unsure about her determination with her committedness to marriage. Colette decidedly shows her feminist properties as she bases the full narrative around the married woman s ideas. The struggle arises when the married woman notices the beastly visual aspect about her hubby that she had yet to notice, but in the terminal it is resolved when the married woman puts aside her fright and kisses the manus. She realizes that her committedness came manner excessively shortly, but she was traveling to populate with the surrender she had made in the terminal.