The Third Miracle Essay, Research Paper

“ There are merely two ways to populate your life. One is as though nil

is a miracle. The other is as though everything is a miracle. ”

Albert Einstein

Director Agnieszka Holland has produced a thoughtful and challenging

movie in The Third Miracle. It centers on the complicated character, Father Frank

Moore. This troubled priest late found by Bishop Cahill? s secretary concealment

in a business district soup kitchen is besides the diocesan postulator for any alleged

supernatural activity in the part. He is most known for earlier exposing what

many considered a saint, as a sexually anguished adult male who finally committed

self-destruction. This incident branded him the? miracle slayer? . In the beginning,

even he had begun to believe in the intercession of this legendary Fr. Falcone.

Detecting the truth left him with a scarred mind filled with sorrow from

old ages of hiting holes in people & # 8217 ; s beliefs.

While in a crisis of religion he is asked by his archpriest to look into a new

instance & # 8212 ; Helen O? Regan and a miracle at St. Stanislaus parish in a bedraggled

urban country. The miracle was a miss named Maria, cured of terminal Lupus after

praying for the intercession of the late deceased O? Regan. Included with

the physical healing was a annual manifestation where a favourite statue of Helen? s

would cast cryings of blood. The blood matched Helen? s type. Maria went on to

go a cocotte and drug nut taking her female parent to claim? God wasted a

miracle? . Additionally, Helen? s girl Roxane struggled with the

probe since she had resentment toward her female parent for go forthing her at age

16 by traveling into the parish parsonage. For her faith was? hapless? and

her resentment prevented her from seeing how God could work miracles through a

flawed human being like her female parent. The added dimension of a romantic

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relationship between her and Fr. Malone was unneeded and incidental to the

narrative, except to demo the solitariness and humanity of the postulator. This new

enterprise reinvigorates Fr. Frank. He sees it as a possibility to deliver his

yesteryear, this is manifested in a affecting scene where he cries out, ? I want God

to demo his face once more? . He acknowledges his failing in position of her character

by declaring, ? Her [ Helen? s ] bosom was full of love. I? m non even a good

priest. Make me worthy?

Miracles are an invitation to faith. I think this is an appropriate subject for

this film because the primary miracles associated with Helen become invitations

to faith for each of the characters in the film. For Fr. Frank, they are an

invitation to regenerate and rediscover his ain religion, and his priestly vows through

his relationship with Roxanne. For Archbishop Werner, who plays the portion of the

spiritual yet disbelieving Satan? s advocator, they besides issue an invitation. His

biggest job is the beginning of the miracle. Sainthood, harmonizing to him,

should be reserved for the heroic sufferer non for an American homemaker. Yet

ironically, he was one of the few informants of Helen? s miracle when she was

merely a kid. As a German soldier go throughing through her town he witnessed how her

intercession appeared to halt bombs midair. So for him it was an invitation to

religion in miracles coming from unexpected and even flawed mediums. A ulterior second

miracle which saves Maria? s life once more? it is an invitation for Maria? s

female parent and Maria to consequence alteration in their lives and embrace the Christian religion

and morality which are connected with the events. These miracles, as invitations

to faith, open up the possibility of release, mending and transmutation for

each of the characters, in their ain manner. We are left to inquire to what degree

they each respond to this compelling invitation