“There Is No Unmarked Woman” By: Deborah Tannen Essay Analysis Who are you? Are you a alone single? Does your visual aspect truly reflect you? Deborah Tannen’s “There Is No Unmarked Woman” exemplifies how normal it is in this society for adult females to be superficially judged and “marked” on the footing of visual aspect. This is in contrast to work forces. who are given the societal option to stay uncomparably “unmarked” by garb. Tannen uses two specific term throughout her full essay. marked and unmarked.
Tannen analyzes our society’s distinctive feature of judging adult females based on their visual aspect but non judging work forces based on the same fortunes throughout her essay. Tannen points out. everything a adult female wear and her visual aspect “marks” her about while in contrast. work forces. can stay “unmarked” by taking the standard ordinance of frock and visual aspect. The visual aspects of these persons are presented through the usage of tone. enunciation. imagination. word picture and allusion.
Tannen’s usage of all these rhetorical devices provides the reader with a ocular of the conference. Tannen uses an allusion of her being at a conference dwelling of four adult females ( including her ) and eight work forces. Tannen’s usage of imagination and word picture when the depicting the persons gave the reader a clear. descriptive image of each of the persons visual aspect. “There Is No Unmarked Woman” chiefly focused on the other three adult females at the conference despite the fact that there was double the sum of work forces at that place.
Tannen vividly described the three adult female down to the last item. From the manner their apparels fitted their organic structure to the last wrinkle in their hair. She exemplified on the singularity of each adult female and how each of them is “marked” based on their visual aspect. Each adult female at the conference had a different manner of frock. hair. do up and jewellery. Tannen said that these differentiated manners could non be “standard” and these alone visual aspects “mark” the adult females. Tannen shows how all eight of the work forces were singular in their incorporate plainness.
She said that they wore light shirt with dark bloomerss and places. Their haircuts were nil unique. They were “standard” . In continuance. harmonizing to Tannen. for adult females there is no unmarked manner. all manners even no manner holds some kind of premise. Even make fulling out a signifier gives a woman’s personal point of position. Like when they use “Miss” . “Mrs. ” and “Ms. ” It tells whether they are individual. have been married. or decline to state either manner.
While with work forces. there are no inquiries to be asked because of the “Mr. In quotation mark. Tannen says that “It is sad that adult females don’t have the freedom to be unmarked like work forces. ” Embracing all of the author’s literary attacks and usage of imagination. you are able to “hear” a voice. a tone in the essay. Tannen nevertheless has two tones within her essay. A feeling of compassion. modestness and animation is felt as Tannen describes the adult females despite her swayed temper at times. As Tannen is depicting the work forces. her tone condescended. Her voice felt as if it when bitter and cold.
There was no look of voice when depicting work forces. Her tone showed that she was in favour of adult females or work forces which depicted or “marked” her as a women’s rightist and a “male-basher” . In this essay. it was really clear throughout the essay that Tannen’s chief point was that adult females are invariably marked no affair what their pick. Whether it is what they wear or what they talk about a adult female is marked. Bing a adult female is like populating in a goldfish bowl where everyone can see you and they are all taking notes.
