Trombone Ensemble Essay, Research Paper

SWT Trombone Ensemble On the eventide of November 11,1999, the Southwest Texas Trombone Ensemble provided an discerning crowd with a genuinely fantastic public presentation. Get downing with Sonata No.1 for Trombone Choir by Evan Copley, the ensemble exhibited fabulous assortment in both the note and the velocity in which they were playing. This accomplishment heedfully produced a scope of emotions, including anxiousness and edginess. Charles R. Hurt, the music director of the ensemble, skilfully piloted the ensemble in explicating an eerie feeling. I envisioned a cemetery scene with the light fog, worn gravestones, and grievers draped in black. The temper changed for the better with the reaching of the allegro, conveying with it a sound of a flood tide which flutters 1s emotions. Sonata No.1 concludes culminating one concluding clip with a disconnected, powerful terminal. A extremely emotional piece by Kazimierz Serocki titled Suita na 4 Puzony flowed placidly interrupted every so frequently by sounds of concern, as if person were about to be attacked by suprise. All the feelings produced in the intrada are subdued by the depressing, dark, cold canone. It? s a slow tune of unhappiness but a unhappiness of utmost step. A low pitch adds to the aura of mortality. These two peculiar feelings, anxiousness and somberness, are toyed with throughout. During the short aria, a glorious occupation was done in constructing up the concluding Toccatina. There seemed to be a competition of kinds between the ensemble with sounds coming from each horn separately and periodically. This consequence created rather a frenetic and raving atmosphere. To reason the piece, the ensemble triumphantly came into unison, detonating with sounds of triumph for the audience to discourse with one another during intermission. Following the intermission, the terrific three of Joel Davidson, Joe Kramer, and Mi

ke Lawson performed David Potter?s Aria & Rondo. This piece commences with Mr. Kramer and Mr. Lawson playing a slow but peaceful melody soon to be joined by Mr. Davidson a few seconds later. There is then a series of progressive climatic surges, repeating three or four times. I was personally overcome with a picture of someone attempting to hide from a foe, with sounds of approaching footsteps. The piece ends sharply with two forceful notes. In Arthur Frackenpohl?s Trombone Quartet, the audience was treated as Mr. Charles Hurt stepped aside for the showcase of an aspiring student conductor, Mr. Joel Davidson. The combination of a falling sound accompanied by one of fright brings forth frenetic pictures, such as a disturbed ant hill. The Trombone Quartet finishes by convincingly including the wide range of emotional tones within the piece. The final two performances, Satin Doll by Duke Ellington and Super Bones by Jack Gale, livened the aura of the auditorium and filled the air with sounds of blues and jazz both. Greg Wilson masterfully wailed out each note to its fullest, showcasing the unique and much admired sound of the saxophone. Mr. Charles Hurt was absolutely correct in complimenting the superior skill of Mr. Wilson before his performance. Gale?s Super Bones was similar to Satin Doll except for the ensemble was more prominent in the Gale piece. After being taken on a rollercoaster of emotions through most of the performance, ending it with an upbeat and vibrant style of music was truly a treat. I found myself helpless in tapping hand and foot to the steady sound of the rim shot and high hat. To me, the slow and depressing nature of the earlier pieces mixed with random build ups and climaxes seems to be smoothed over and over taken by the gleeful jazz beats. I must say, to my own suprise, I really enjoyed my evening.