Twelfth Night Lit Analysis Essay

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“The true mark of intelligence is non knowledge but imagination” – Albert Einstein. This can non be more true in the instance of William Shakespeare. In respects to his drama Twelfth Night his originative mastermind is seen in his ability to make crisp and cagey characters through absolutely crafted secret plans and subjects. His aptitude to bring forth characters that goes against the dictate of society such as Viola and Maria marks him as one of the greatest dramatists of his age. However. his installations as a author are made known through his ability to writhe and pull strings words and linguistic communication to his ain benefit. Shakespeare’s drama on words and witty linguistic communication serves to entertain his audience in the most complete sense possible.

He does this throughout the full drama. but when discoursing his usage of linguistic communication the character of Feste must be considered. particularly since he may be regarded as Shakespeare’s mouth piece. As it will be discussed Shakespeare’s mind is non shown in his ability to make carefully crafted secret plans and his magnetic authorship manner but his invention in making a universe of words and puzzling characters. Viola possibly considered the chief character of the drama. her character is sly and cunning. Shakespeare’s intervention of her is nil short of arrant glare.

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Viola’s ability to accommodate to her milieus and bring forth crisp remarks in small infinite of clip shows her as one of the most cagey characters. She comes up with this about impractical thought to masquerade as adult male and the fact that she gets the sea captain to hold with it shows her strength and daring. Not merely that but her program panned out for a full three months- as stated by Duke Orsino “Three months this young person hath tended upon me” ( act 5. scene 1 ) – without no 1 being none the wiser. It is in her camouflage that we see her true intelligence and witty temperament. Besides her linguistic communication and her bringing of it shows her insolent nature.

OLIVIA Stay:

I prithee. state me what thou thinkest of me.
Viola
That you do believe you are non what you are.
OLIVIA
If I think so. I think the same of you.
Viola
Then think you right: I am non what I am





This conversation shows her ability to do speedy rejoinders and while she does this she hints at her misrepresentation with the truthfulness of the last line. without Olivia allowing on. In making so it is revealed merely how cunning she is. Her character truly does mirror Shakespeare’s clever head. Similarly the audacious character of Maria demonstrates Shakespeare’s aptitude to make cagey characters. Like Viola who comes up with an thought for her ain benefit although slightly necessary. Maria concocts this strategy against Malvolio to allow him believe Olivia confesses her love for him in the signifier of a missive. She uses his ain aspiration against him and makes him out to be a lunatic that at one point even he is tempted to believe. even though he maintains he is rather sane. Even though it was said to be in joke. some might look upon it as a cruel act as Malvolio was non meriting of this type of intervention. Nevertheless she is a witty character that Shakespeare uses to foreground the glare and strong character of adult females. In add-on Shakespeare produces a chef-d’oeuvre out of his work Twelfth Night through his screaming playful linguistic communication.

The character that Shakespeare uses most to make this is Feste and Shakespeare does this because the character or function of Feste allows him to acquire away remarks and rejoinders that others might non hold. An case of this is his conversation with Olivia wherein he calls her a sap for mourning her brother for seven old ages and all the more sap for mourning if she believes his psyche is in Eden. “The more sap. Mary. to mourn for your brother’s psyche being in Eden. Take away the sap. gentlemen” this line non merely serves to give huge joy and laughter for the audience but highlights the privileges given to an Elizabethan fool for stating such things without recompense. This humourous linguistic communication is besides seen with Feste’s drama with words ; “No such affair. sir. I do unrecorded by the church for I do live at my house. and my house doth stand by the church” Feste plays with words and relates them with so much ardor that the audience can non assist but be amused.

It is besides seen with the lines “why sir her name is a word. and to dally with that word might do my sister wanton. But so. words are really rogues. since bonds disgraced them” It is because of this that he calls himself “corrupter of words” and in this we see the instability of linguistic communication. It is non merely Feste that gets the audience to laugh because of humourous linguistic communication. Sir Andrew besides does this. although his deceit of words is unwilled. His incompetency with linguistic communication and abuse of words provide amusing alleviation for the audience.

“What is pourquoi? Do or make non make? I would I had bestowed that clip in the linguas that I have in fencing. dancing and bear-baiting: O. had I but followed the humanistic disciplines! ” the absurdity of it all maps to rise the dramatic entreaty of the drama and increase audience’s pleasance. The humourous and playful linguistic communication of the drama lets our imaginativeness roam free and that entirely shows Shakespeare’s amazing creativeness. In decision it can be said that William Shakespeare is genuinely a originator with his wild imaginativeness in making witty and cunning characters and his clever usage of linguistic communication tortures the audience with laughter and amusement. Fabian’s line “ If this were played upon a phase now. I could reprobate it as an unlikely fiction” shows that Shakespeare is cognizant of the plays’ improbable disparities but however his accomplishment makes it truly a work of art.

WOLMERS HIGH SCHOOL FOR GIRLS
Literatures in English
Unit of measurement 1:
Faculty: 1
Christina Thompson
L6H1
November 19. 2012





Question
‘Shakespeare’s originative mastermind is demonstrated by his witty word picture and humourous language’ Discuss the extent to which this is a just appraisal of the comedy Twelfth Night.

Mentions
hypertext transfer protocol: //shakespeare. Massachusetts Institute of Technology. edu/twelfth_night/full. hypertext markup language
hypertext transfer protocol: //www. sparknotes. com/shakespeare/twelfthnight/canalysis. html hypertext transfer protocol: //www. brainyquote. com/quotes/authors/a/albert_einstein. html hypertext transfer protocol: //www. shakespeare-online. com/plays/characters/violabio. hypertext markup language

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