Yeats was born and educated in Dublin. but spent his childhood in County Sligo. He studied poesy in his young person and from an early age was fascinated by both Irish fables and the supernatural. Those subjects feature in the first stage of his work. which lasted approximately until the bend of the twentieth century. From 1900. Yeats’ poesy grew more physical and realistic. He mostly renounced the nonnatural beliefs of his young person. though he remained bemused with physical and religious masks. every bit good as with cyclical theories of life. The devastation of the passing of clip has become a really normally expressed subject in poesy. WB Yeats is one of the many poets who have expressed the unstoppable destroying capableness and the loss of beauty as the grains of sand faux pas through the hourglass of clip. The Wild Swans at Coole and In Memory of Eva Gore-Booth and Con Markiewicz are two pieces of Yeats’ work that illustrates the ageing procedure and its effects that all people choose to avoid. In The Wild Swans at Coole. Yeats doesn’t keep back on his look of the passing of clip.

“The trees are in their fall beauty. the forest waies are dry” Yeats is the “autumn” of his life. a clip where he feels invariably empty. injury and broken. The “nineteenth fall has come upon him” and “upon the brimful H2O among the stones” are the same “nine and 50 swans” which had been at that place 19 old ages earlier. The mist of clip is overcasting over. He feels that his dreams have been shattered and the staying pieces were carried off upon the swans “clamorous wings” as they scattered and took off in flight. His “heart is sore” as he looks upon the swans. he admires the beauty of the swans whilst they evoke a feeling of a sorrowful yearning for young person in the cavity of Yeats’ tummy.

Nineteen twelvemonth ago he “trod with a igniter tread” when the loss of artlessness and the luggage of life and old age wasn’t weighing him down. He was a happier adult male so and the human status was merely hole uping in the dorsum of his head. He comes to the decision that he will ne’er be happy and will decease as a alone old adult male. I truly enjoyed analyzing this verse form. It felt like I was sing a philosophical journey with Yeats a he battles against the passing of clip. It painted a beautiful word image and created an ambiance that made my head admiration and reflect. to look at my ain life and how it has changed as clip passed. The incongruous item is mind boggling. but so once more the quintessential of a poet isn’t ever every bit stereotyped as it seems.

In Memory of Eva Gore-Booth and Con Markiewicz truly plucked at my bosom strings. The sorrowful and emotional image of Lisadell House. where the beautiful image of the “two misss in silk kimonos” who grace the scene. are rapidly transformed into exanimate shadows like the” raving fall sheers blossom from the summer’s garland. ” Con Markiewicz “drags out lonely old ages whilst cabaling in slum trying to arouse people’s involvement in Irish freedom after she was pardoned from condemned decease. She was transformed by clip into a skeleton of her former ego. A bosom interrupting image inundations into my head of an abandoned. ill aged adult female rolling the streets entirely. halting people and debating Irish freedom. Yeats highlight that Eva. the other beauty became “withered. old and skeleton gaunt. ” This image diagrammatically displays the ripening and the decay of beauty that accompanies the passing of clip. Yeats is fighting to understand what “all the folly and the fight” is approximately.

The subject ‘passing of time’ is present in many more of Yeats’ verse forms but in my sentiment these two verse forms display his concern absolutely as he reflects on life in all its beauty and unhappiness. He communicates with shades of his old. in a heartfelt way lost friends “dear shadows. now you know it all” it seems that he is inquiring them for counsel and an account for the enigma of life. Yeats comes to the decision that “the inexperienced person and the beautiful have no enemy but time” Escapism is another subject I find quite captivating in Yeats’ verse forms. In the instance of The lake Isle of Innisfree. Yeats is hankering for the sanctuary of Innisfree where he finds peace. He wants to go forth the metropolis and flight to nature. He feels he has been engulfed by the rat race of metropolis life and as a consequence has lost his communicating with nature. Although. the verse form Sailing to Byzantium trades with a wholly different sense of escape. In this instance Yeats wants to get away from nature to the holy land of Byzantium. He desires to accomplish a permanency which is non possible in world. To Yeats. Byzantium represents an artistic impressiveness and permanency.

When I read The Lake Isle of Innisfree. I develop an image in my caput of Yeats walking through crowded metropolis streets. subjecting himself to vehicle exhausts. dust. noise and the annoyance of rubbing cubituss with others made him halt and fantasy approximately Innisfree. a topographic point where the manner of life and the ways of life are wholly different. All will hold such topographic point in head. For Yeats it’s the quiet and quiet lake isle of Innisfree. Yeats is lying buried under and entangled in the clasps of huffy metropolis life. It has become so intolerable and smothering to him that if it continues to travel on so. “he will originate and travel to Innisfree” and ne’er return. “nine bean rows will he hold at that place. a hive for the honey bee and unrecorded entirely in the bee-loud glade” he wants the privy and self-sufficing life that would be possible if he lived at that place. He will turn to cultivation of beans. a sustaining. alimentary. easy-to-produce nutrient. And he will put a bee-hive somewhere on the island and cod adequate honey. Thus he will take a satisfied and self-sufficing life at that place. listening to the humming of bees. and lying entirely in that bee-loud clearing.

What a contrast to the thick metropolis life in Belfast or London. “And I will hold some peace. for peace comes dropping low. dropping from the head coverings of the forenoon to where the crickets sing” In Innisfree. Yeats will eventually be able to acquire a small peace. The poet’s construct of peace is rather different from that of others and is unusual but lovely. In modern times. peace is an interval between two wars. His thought of peace is based on the usual early forenoon sights in a countrified island life. The crickets have been singing and shrilling all through the dark. the dew of dark and the forenoon mist condensed into peace and the dew drops from the trees leaves supra. Although he is still walking the streets of the metropolis. non drooping in the pleasantness of the lake island. he hears in his ears the really sound of “the lake H2O lapping with low sounds by the shore” . Standing on the roadways and walking the pathwaies. he still hears the lake H2O echoing deep in his bosom. I can conceive of him standing at that place on the street. believing about his Eden. lost in idea. trusting he won’t in hello craze. leap into the ne’er stoping traffic of the metropolis.

In my sentiment Sailing to Byzantium has a really challenging return on the subject escape. Yeats wants to get away from nature. but in this instance. nature represents the nature of humanity. the rough worlds of turning old and the human status. He believes by sailing to the holy land Byzantium. he can halt the nature of humanity and go immortal by spiritualty. He believes Ireland is “no state for old men” . it is brimming in young person. vibrant and energetic “youth in one another’s arm” . Yeats feels out of topographic point and feels like he is portion of the “dying generation” . Yeats is get downing to gain the importance of spiritualty and feels that the immature are so “caught in the animal music” and their mercenary image. that they have forgotten about the most of import thing in life. spiritualty. Yeats has discovered youth doesn’t last forever. that “whatever is begotten. born and dies. ” He feels that he is “but a negligible thing. a tatterdemalion coat upon a stick” nature has taken it class and made him experience useless. He has lost the significance of life and is convinced that he can rejuvenate his young person and significance in life with the aid of spiritualty. He has sailed off from nature and started his womb-to-tomb hunt for immortality. My favorite image in this verse form is “consume my bosom off. ill with desire and fastened to a deceasing animate being. it knows non what it is and garner me into the ruse of eternity” I can truly associate to what Yeats is experiencing.

It reminded me of a certain point in my life when life felt hopeless and had no significance. I couldn’t understand the unforgiving nature of humanity and merely wanted to run off from it all until I was saved my spiritualty. Yeats is seeking for something bigger than humanity. He states that “once out of nature I shall ne’er take my bodily signifier from any natural thing but such a signifier as Greek goldworkers make” he shortly dismisses his hunt for immortality when he realises he will merely go an object and life will go even more meaningless. Yeats realizes that mind is limited by the human status. Yeats’ poesy besides contains a political position. He includes the political relations of the period he lived in. which he was involved in. This was another quality I admired in his poesy as it gave me a valuable penetration into an indispensable period in Ireland’s development as Yeats was involved with such political relations. His position is therefore 1 that will non needfully supply the right point of view of such issues and events. but surely a slightly reliable position of the events of the clip. which featured conflicting beliefs and political orientations.

In September 1913. which focuses on the 1913 Lockout. I was provided with a point of view of Dublin at this clip. which featured workers’ work stoppage and lock-out. Yeats here declares his disgust at the general deficiency of attention at the issues of the clip. He declares that those who would move for Ireland’s benefit ‘were of a different kind’ and plaints that ‘Romantic Ireland’s dead and gone. “It’s with O’ Leary in the grave” . Later. in Easter 1916 Yeats realizes that such a committedness he longed for from the Irish in September 1913 is non all that he wanted it to be. Prior to the uprising Yeats greeted the revolutionists with the exchange of “polite meaningless words” and even indulged in “a mocking narrative or gibe” about their political aspirations. He didn’t gain how serious they were about their causes and thought it was a hardhearted act of attending seeking. However. his attitude alterations when he moves from a feeling of separation between him and the revolutionists. to a temper of integrity by including all the revolutionists mentioned in the verse form in the last line with mention to the alteration that happened when they were executed. ”

All changed. changed absolutely. a awful beauty is born. ” Yeats returns to depict in much greater item the cardinal figures involved in the Easter lifting without really calling them by name. which I find quite peculiar. Countess Markievics was described as a adult female who spent “her darks in statement until her voice grew shrill” she devoted her life to a cause and lost her “sweet” voice as she spent her yearss in ignorance and “good-will” Yeats thought she was nescient and demanding and stated she lost her young person and beauty as a consequence of her finding for freedom. The adult male who “had maintain a school and sit our winged horse” is a mention to Patrick Pearce. Thomas MacDonnagh. “a helper and friend of Patrick Pearce. ” Yeats described him as holding a sensitive and sort nature but he was executed. John McBride was a “drunken. big lout” and had done “most acrimonious wrong” in Yeats’ eyes. He blamed him for destructing the love his life and crushing her. but so he admits to “numbering him in his song” he feels that he should be mentioned because he did step out of his life to contend for his state. which took great courage and bravery. Yeats realised that he deserved some recognition to. “he. excessively. has been changed in his turn” Yeats thinks that if you give ordinary people a cause they will alter wholly and John is merely one illustration.

Yeats admirations if it’s worth the problem of “troubling the life stream” if “hearts with one intent alone” are “enchanted to lapidate. ” He believes that if you follow a cause you will lose your humanity and your bosom will go like rock. but you will besides be blockading the positiveness of life. He thinks that causes are like “the rock in the thick of it all” and are ever doing problem. “o when may it suffice” it seems like this will ne’er come to an terminal. Yeats merely discards of all his thoughts and sentiments when it comes to the last few lines. “When slumber at last has come on limbs that had run wild” he merely forgets it all and shows these revolutionists as heroes who paid a awful monetary value for the people of Ireland. They loved their state so much that they were willing to give their lives and Yeats fundamentally comes the decision. can you fault them? September 1913 is a response to the ruthless materialistic employers who locked out their workers in the General Strike in 1913. The verse form is besides a remark on the refusal of commercial involvements to back up Yeats’ entreaty for money to construct an Art Gallery to house the Lane aggregation.

The verse form is a scathing unfavorable judgment of the materialistic philistinism he felt was rampant in Ireland during 1913. The Scrooge image foremost introduced in “fumble in a oily till” is a lay waste toing swipe at the captains of industry and commercialism. The wooden boulder clay has become glistening. oily with over-use. the word “fumble” suggests the thought of the organic structure being withered in the relentless chase of money for its ain interest. Yet these people can warrant or pardon their philistinism through faith. That philistinism and life of the spirit can non be reconciled is tellingly conveyed in “pray and save” . Prayer. love of God. something which is full of heat and passion. is here described as “shivering” . The waste. shuddering lip service of these people is bitterly and sardonically hammered place. “Romantic Ireland’s dead and gone. It’s with O’Leary in the grave. ” John O’Leary. emerges as the antithesis of the greedy. sordid. hold oning Dublin merchandisers. O’Leary is a symbol of unity. idealism and vision.

When John O’Leary reached that independency and freedom was something religious. freedom of spirit and the chance to turn dreams into world. The spirit of Romance is gone from the twelvemonth 1913. No idealism now merely greed. The poetry is over fluxing with irony. a tone of arrant revolution. but the tone begins to soften with the reference of O’Leary. There is a dramatic alteration of beat as Yeats surveys that romantic Ireland that is “dead and gone” . Contempt evaporates as he about susurrations in awe and inquire about the idealistic romantic heroes of Irish History who sacrificed all the material things life has to offer. to prosecute an ideal. a vision. a dream. Even the mark of his onslaught on the concern community which one time stood in awe of these heroes. that is. before philistinism infected their heads. The dreamers of Irish history paid for their visions with their lives. or those lucky to get away were misled and pursued their dream in the ground forcess of France and Austria.

The beat alterations. as Yeats describes his thesis of the extinction of idealism in Ireland. Fitzgerald. Emmet and Tone were three peculiar Romantic Irishmen. Yeats turns the sarcastic and misanthropic comment of the mercenary new Irishmen back on themselves with the usage of “weight” . In this instance weight refers to mercenary things and “weigh” in the sense of a deep reconciliation of things in the head. I can non neglect to see that the baronial lunacy of the brave is so much higher-up to the cynicism of “Some woman’s xanthous hair has maddened every mother’s son” . Yeats is comparing the courage of the nationalists with the selfishness of the merchandisers. The word “delirium” conveys many thing. lunacy for illustration. but besides fever and idealism and in this usage it contains good and bad facets. it is good suited to showing Yeats’ attitude to the heroes. However. this attitude falls more on the border of congratulations and unfavorable judgment. since he ends the description by naming them “the brave” . In general. Yeats wants to keep a balance in the phrase. acknowledgment of both the forfeits and the extremism of the heroes.

I want to do reference of the strength of Yeats’ imagination and linguistic communication. Yeats smartly sums up the temper of his poesy by utilizing imagination and linguistic communication to make a universe that matches this temper. I liked this characteristic as it helped my apprehension of his poesy. doing its temper and therefore message clearer. This is seen in September 1913. where Yeats creates a universe of desperation. helped by dejecting images such as “you are drying the marrow from the bone” . Such an image keeps the verse form in the kingdom of the morbid. I find this metaphor really powerful. The merchandisers and employer have taken all the flesh and meat of the state like hungry king of beastss. In Easter 1916 Yeats creates a natural universe in the 3rd stanza of his verse form. This universe is fast and action-packed. aided with the image of a watercourse hotfooting through. with a assortment of existences traversing it “the Equus caballus that comes from the route. the rider. the birds that range from cloud to toppling cloud.

”The image of the watercourse that Changes minute by minute adds to this farther. Yeats creates such milieus as he wants to convey how firm the Irish cause is during the 1916 rise. Another image I find quite captivating is “an elderly adult male I but a negligible thing. a tatterdemalion coat upon stick” Yeats uses the symbol of a straw man to stand for the dilapidation of old age. The straw man is a abhorrent lifeless image symbolizing everything that Yeats wants to reject in his mortal being. The descriptive linguistic communication Yeats used for this comparing leaves me with the thought that life is useless when you reach old age. There is besides a strong image of the poet’s memory of Innisfree. He claims to “hear it in the deep heart’s core” . This is a metaphor because the ear does non truly link to the bosom. It is a manner of underscoring the deep. religious feeling of the poet. The overall image is of memory. His memory gives him a desire to return at that place once more. Overall. WB Yeats is easy my front-runner. Several facets of his poesy entreaty to me. the political. his usage of nature as a subject and his contemplation on old age. the organic structure and the psyche.

Although I am at easiness in prosecuting with Yeats subjects it is besides his unique trade that has an impact on me. Yeats is a poet who uses powerful metaphors and images that have a really memorable quality that in my position makes Yeats the most repeatable of all poets. The one thing I love about Yeats’ poesy is its dynamic quality. Yeats sets up dynamic contrasts in every one of his verse forms which for me. makes his poesy interesting and thought – arousing. I found these traits peculiarly apparent in “Sailing to Byzantium” . “Easter 1916” . “September 1913” . “The Wild swans at Coole” . “Lake Isle Of Inisfree” and “in Memory of Eva Gore-Booth and Con Markiewicz” . I must state that I truly love how Yeats writes political and polemical verse forms. In my sentiment this can be best seen in “September 1913” . a extremely structured apostrophe where Yeats launches a powerful onslaught against the merchandiser classes. It is a acrimonious vituperation against the on the job categories. Yeats condemns those who “add the half pence to the pence” and “fumble in a greasy boulder clay. ” Yeats work is in my sentiment is besides noteworthy for its honestness.

I find his honesty really powerful in “Easter 1916” . Yeats feels that even John McBride who had done him most acrimonious wrong” should be “numbered in the song” . I was besides attracted to Yeats’ intervention of nature. In “Lake Isle of Inisfree” Yeats portions his yearning for the composure and tranquility of his boyhood hangout Inisfree. However. it is Yeats fabulous usage of sound that truly entreaties to me in this verse form. Whenever I read this verse form I feel like I can hear the “cricket sing” . smell the “honey-bees” and see “the violet glow” . I love Yeats perspective In “Sailing To Byzantium” . Yeats has a vision that faith. aesthetic and practical life are one. Yeats contrasts “The immature in one another’s arms” with “an aged adult male is but a paltry thing” . I appreciate how he calls on the psyche to “sing. and louder sing” . Yeats. in my position. seems to me to be seeking to get the better of the thought that the psyche is “sick with desire” and is “fastened to a deceasing animal” .

I feel like Yeats is in fact a captive in his ain organic structure whish he feels has become fastened and wizened. I besides love the immensely original and reliable “The Wild Swans at Coole” . Although I love Yeats subjects it is besides his trade that has a immense impact on me. I am of the position that Yeats verse forms are good worth the read if merely for their rich metaphors and images. There is besides a memorable quality to Yeats’ work which I find intriguing. I find that many of his lines and phrases resonate in my caput a long clip after reading. This is truer of Yeats than any other poet I have of all time read. This comes from the sheer economic system of his linguistic communication and the beat of his lines.

In fact I find myself invariably declaiming lines such as “The inexperienced person and the beautiful have no enemy but time” “Unwearied still. lover by lover they paddle in the cold companionable streams” “An aged adult male is but a paltry thing” In this context. I guess Yeats hangouts my memory. I love the manner Yeats is ever present in his verse form and brings them to life with contrast. Yeats. in my experience. sets up dynamic contrasts in about every one of his verse form. In “Sailing to Byzantium” Yeats contrasts young person and old age. the organic structure and the psyche. clip and infinity. These contrasts provide Yeats’ poesy with a alone dynamic quality which gives him a alone voice. a voice which makes me listen.