Formal Elementss In Art Essay, Research Paper

The piece that seemed to lodge out at the Foster Gallery exhibit was La Famila by Hulleah Tsinnahjhinnie. This graphics was a digital print done on a computing machine and is truly rather extraordinary. I decided to take colour as my formal component, since at that place seemed to be a batch of colourss in this piece, and I love the usage of colour. Color, particularly when shown with black and white, seem to leap off of the paper. They are besides like confect for your eyes. This print had two tones of blue: a third colour of greenish blue blue, and a primary colour of royal blue. The top of the image was royal blue, and the underside was aqua blue. The royal blue had full strength, as did the greenish blue blue. But the household decidedly has one-quarter gradient. Where the two met there was a big gradient. When looking at the graphics, the oculus was straight led to the faces. The ground for this was non because of the faces, but the bright ruddy lines covering on the blue directing to the faces. When I foremost saw this image, my eyes straight focused on the ruddy lines, which led me to the faces. The ruddy, a primary colour, gave the image deepness, creates dynamic motion, and gives the household life. Red is a really exciting colour when it is used on such a contrast colour as blue. The creative person might be stating something about the

family. Although they seem to have little life in their faces, the red lines pointing to them shows an extensive life they have all had. Another key to this work, is the clarity on some of the faces. This clarity was only true if a shape in front of them magnified the faces. If they were no shapes in front, the faces were black and white, looking very dirty. And as you reached the bottom, the family s legs were a glowing aqua green. The difference in the glowing green, and the dirty dark gives the faces and bodies chiaroscuro. Even though the feet and legs glow, this does not light the rest of the family. In the upper right corner is a moon. The moon is a white-yellow, and stands on top of a deep blue. This gradient gives the moon three-dimensions. Color seems to be the most prevalent formal element in this picture. The colors make the picture stand of wall. The color gradient of blue and green gives the picture much volume, which is another formal element. Volume is shown, but only because of the use of color. For example, the red is such a contrasting color to the blue, it stands out and gives the picture volume. Whereas; the fade between royal blue and aqua blue does not give the picture volume, but these colors give the picture separation and mood. La Familia gives the observer much to think about due to the use of color.