Megan Miskill: Junior Recital Essay, Research Paper

April 13, 2000

Music 100

Megan Miskill: Junior Recital

On April 4th, I made my manner to the music edifice to see Megan Miskill execute her Junior Music narration. Her concert was shared with a fiddle participant, Trevor Corneliusen, but for this paper, I will merely discourse Megan? s public presentation. She sang three sets of pieces: Schubert, Faure and Mozart. Each set was contrasting, yet featured her lyric soprano voice attractively. Nick Williams was her accompanyist.

The first subdivision of her concert was the Franz Schubert pieces. Schubert, a romantic composer, wrote pieces that focal point chiefly on nature, love, and unanswered passion. Megan sang Im Fruhling, Die Sterne, and Heimliches Leiben. Im Fruhling and Die Sterne both have a lighter tone colour than Heimliches Leiben does. The texture of the first two pieces were lighter and had a sooth tune and softer kineticss. Although they both are melodically and harmonically complex, they still maintained a really positive, happy, feel. Both the first and the second of the Schubert pieces are really cyclical. The signifier of the first is ABABAA and the signifier of the 2nd is AAAA. In the 2nd, the tune is precisely the same except for a few inadvertent notes that were either level of crisp. The 3rd piece in the Schubert subdivision, Heimliches Leiben, contrasts the first two pieces greatly. It is rhythemically different, get downing easy and so bit by bit rushing up. The kineticss get louder as the piece gets more passionate. There are bigger, more emotional chords and by the terminal, the piano player was thumping on the keys. In the 2nd and 3rd poetries there is a flood tide because that is where the most passion is. It is as if the vocalist has reached a point of complete despair. It was interesting to hear some more Schubert because we had merely studied him in category. One can truly acquire a sense of what romantic composers are like when one looks at the translated wordss to Schubert & # 8217 ; s vocals. The rubrics, In Spring, The Stars, and Secret Love, all exemplify the types of things that romantic composers wrote about.

The following subdivision of her public presentation was the Faure pieces. When I interviewed Megan about her concert she said that these are her favourite pieces because she speaks Gallic and she thinks that they are the most beautiful. Faure is a romantic composer every bit good. Much like the Schubert, the first two pieces in the subdivision, Le Pays des Reves, and Les Roses vitamin D? Ispahan, were much lighter and more lyrical compared with the 3rd piece, Fleur Jetee, which is heavier and darker. Compared with Schubert, Faure is harmonically more complex. Faure uses crazier keys and the signifier is more complex. It is more fitting that Faure is more complex than Schubert is, because he was composing subsequently in history.

The first and 2nd Schubert pieces have a simple beat and pacing. There are some really high notes that Megan sang attractively, nevertheless. The first piece shirted from 6/8 clip to? clip and so back to 6/8 clip once more. The tone colour of both of these Washingtons

s igniter and had a less complex texture. The harmoniousness, nevertheless, seemed really complex. The 3rd Faure piece was much darker. There was an component of insanity that seemed to be included in Faure? s composing. Her vocal kineticss got louder as the kineticss of the piano got louder. The beat was ceaseless and got progressively faster. The piano got progressively loud and by the terminal the piano player was thumping on the keys. The kineticss were loud and merely maintain acquiring louder. There was a major contrast between the first/second, and the 3rd Faure piece.

The last subdivision, the Batti Batti by Mozart, is in Aria signifier. It is from Don Giovanni? s opera. In this piece, Megan sang the portion of Zerlia, in which a lover has to speak her manner out of being caught rip offing. There are long decrescendo-like tallies in which Megan sang from a really high note to a really low note. Megan told me that this piece is practically written for a lyric soprano because it shows off the proficient facets of a lyric soprano? s voice. There were two different beat subdivisions in this piece. It starts out slow, but so at the word? gait? there is a displacement to a happy, speedy pacing. The music displacements when Zerlia has eventually talked her manner out of the quandary. This is a really beautiful piece which was fabulous to listen to because it is light and has a fun narrative.

All of the vocalizing was beautiful, but my chief review is that it was non loud plenty and that she did non hold any facial looks. She merely stood still and sang. I think the public presentation would hold been progressively interesting had she used more body linguistic communication to convey the emotions in the vocals. However, I was peculiarly impressed by the fact that she could sing in all those different linguistic communications. When I asked her, she said that all first-year music big leagues are required to take a enunciation category in order to larn to read and articulate the different linguistic communications that they sing.

I was fortunate plenty to acquire the chance to interview Megan Miskill. I asked her several inquiries about the music, but besides about her personal history with music. When I asked her why she chose the pieces she did, she said that they are all lighter pieces which are in her scope. They all focus on technique and scope, instead than volume. When I asked her what the hardest piece for her was, she said that it was the Die Sterne because it was so insistent and really long-winded. She said that she felt like the tune was ne’er stoping, which made it more hard for her to concentrate. When I asked what the hardest portion of seting on a concert was, she answered by stating that covering with the concert hall directors was really hard.

Megan has been singing since she was five old ages old. She started in the church choir and so began to sing with the Anchorage Opera. She said that voice is non what she wants to make as a calling, but instead as a avocation. She said that there are excessively many awful political relations in the music universe that she does non desire to hold to cover with. I feel fortunate to hold had the chance to non merely hear, but besides interview such an complete singer.