Midsummer Nights Dream Essay, Research Paper

The Play: ? A Midsummer Night? s Dream? , by William Shakespeare offers a

fantastic contrast in human outlook. Shakespeare provides insight into adult male? s struggle

with the rational versus the emotional features of our behaviour through his scenes.

The rational, logical side is represented by Athens, with its booming authorities and

society. The wilder emotional side is represented by the faery forests. Here things do non

brand sense, and mystical thaumaturgy takes the topographic point of human logic. Every urge may be

acted upon without and forethought to there result.

The metropolis of Athens represents the prototype of civilised adult male. Ruled by the Torahs of

adult male and maintain in cheque by society? s ain norms. The human battle to stamp down its

unrestrained and irrational inclinations, still being undertaken today, discourages the

? civilized? adult male from doing roseola and foolish actions. Therefore every action should hold a

sound and logical intent, based on the societal norms.

In the drama, Egeus, the male parent of Hermia, has thoughtfully chosen what he considers

an acceptable mate to marry his girl. Egeus most likely based his determination on

economic, political, and societal factors in his choosing of Demetrius. He is doing a

sensible determination based on Hermia? s hereafter in their society. Unfortunately Hermia is

smitten by Lysander and frailty versa. Although her male parent may hold made his determination with

every good connotation, maintaining with the traditional imposts of his twenty-four hours, and even possibly

taking into consideration such things as attraction, he failed to anticipate the desires of

his girl. The immature Lysander, who like most immature work forces, attentions little for the regulations of

society, is willing to interrupt tradition and flee Athinais to obtain Hermia. Therefore they

must go forth the rational Athens to bask their irrational love.

Theseus, the male monarch of Athens, is the highest symbol of jurisprudence and order in his

land. After winning a war with another land, he chooses to get married their queen,

Hippolyta. His determination may really good hold been inspired by love, but the political

branchings of their matrimony is a more plausible principle. In fact Theseus? apparent

love for Hippolyta seems about as an added wages to an already good partnership.

Whether any attractive force was at that place or non likely would non hold made a difference. As

male monarch, Theseus must put the land before his ain feelings. It merely comes with the

place.

In short Athens represents the desire to stamp down feelings and urges and T

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brand determinations based on logic. Thus it does non give the power of natural emotion the true

regard it requires, for adult male is both emotional and rational. Love ne’er has, and ne’er will,

be predictable.

The fairy universe represents adult male? s undisciplined emotional quality. Here the Torahs of

adult male do non use and things merely need non do sense. Attributes like escapade,

love affair, fright, folly, and jeer are all things suppressed by Athinais and

welcomed by the faery forests. The faeries respect the wild bosom and they understand

the power love holds. These animals embrace the boisterous daftness that passion brings,

they live for the minute and are pure at bosom. Along with love and passion the faery

universe is besides susceptible to other emotions running wild. Jealousy, choler, and wit at

the disbursal of others are all abound here.

Oberon, male monarch of the faeries, is the quintessential symbol of human impulsiveness.

He evidently loves his queen, Titania, really much and is immediately covetous of her love for a

Indian kid. He rashly devises a program to snap up the kid for himself and at the same

clip hold a small amusement at Titania disbursal. His program is to project a thaumaturgy enchantment over her

with a? love flower? doing her to fall in love with the first individual, or animal, she sees.

There is no rational ground for Oberon? s actions, for green-eyed monster is unreason at it? s most

basic degree.

Robin Goodfellow, or Puck, is Oberon? s faery retainer, and possibly the most

irrational individual in the drama. He is the kernel of wild and wild folly. He

supplications himself by executing his faery thaumaturgy on unsuspicious travellers, and merely

devotes his clip to mischief. He is the 1 that Oberon entrusts with his program to bring down

Titanium dioxide with the love enchantment, and besides gives him an excess job as a fillip. This ends up to

be a black, yet entertaining event.

Shakespeare successfully contrasts the dichotomy of adult male? s nature by utilizing two

scenes with opposite features. Whether this was the full intent of the drama is

dubious, but is remains an interesting and good paralleled characteristic. The people of Athens,

fighting to understand the unlogical faery universe, and at the same clip exhibiting the same

behaviour. Possibly Shakespeare seeing the epoch of logic and ground obtaining new highs,

wished to remind us all of our other side. The emotional quality of world may acquire him

into problem, but it is besides what makes life so electrifying and endurable. Like the ying-yang,

one can non populate without the other.