The Matrix Hero Myth Essay, Research Paper
The Matrix Hero Myth.
Hollywood is the production machine that continues to pelt America with its action-packed hero films. The Matrix stars Keanu Reeves as a premier illustration of the larger than life Hollywood hero whose explosive screen moving and dense fortune turn the lead character into this hero, who tantalizes American audiences.
The plot line of the film throws audiences instantly into the enigma behind & # 8220 ; the matrix & # 8221 ; from an nonsubjective individual & # 8217 ; s position. Neo, or Mr. Anderson as the evil Agents call him, is seeking for an reply to a inquiry he & # 8217 ; s looked for all his life. He wants to cognize & # 8220 ; what is the matrix? & # 8221 ; Neo subsequently learns from two new cryptic friends that the matrix is & # 8220 ; the universe pulled over your eyes. & # 8221 ; In clip, and with aid from these friends Morpheus and Trinity, Neo learns the world, or non-reality, of the matrix. He finds the truth of the universe in which the homo race is enslaved and is used as a power beginning for unnaturally intelligent computing machines, which took over the universe long ago. At the suggestion of Morpheus, Neo starts to inquire if he could be the one prophesied and destined to liberate the human race from the control of these sadistic computing machine plans.
To better understand the plot line and the hero, we need to cognize a small about the chief characters in the film, which are Neo, Morpheus, Trinity, the Agents, and Cipher. Neo, of class, is our hero of the narrative. He joins the war against the agents who patrol and partly command the matrix to liberate the universe from the A.I. computing machines. Neo is a strong-minded immature adult male who develops into a hard-core gun-wielding butt-kicker by the terminal of the film. His linguistic communication and look throughout the film suggest merely how loath he was in the beginning, and how all this changed by the terminal. His attitude in the films opening shows him as an easy startled adult male who is a spot edgy and rather cautious ; his caution particularly shows as he foremost talks to the cat in the beginning to whom he is selling an illegal disc and his concern of acquiring caught shows through. In the terminal, he became the cocky hero as he dawned the black suit, dark glassess, and a set of guns. This turned him into our action hero.
Morpheus is the following character of major importance. He takes on a similitude of the well-loved Yoda from Star Wars. This is because Morpheus is the wise adult male who has the most experience and knows what & # 8217 ; s traveling on, what needs done, and how to make it. Morpheus & # 8217 ; usage of adept power to take this group shows his willingness to make what & # 8217 ; s best to profit the others, even at the cost of his ain life.
Our following character is Trinity. She is the unsmooth and tough female who surely doesn & # 8217 ; t care about interrupting a nail. This adult female acts in such a self-sufficing and epic mode that the audience could presume that she is the chief character in the first few proceedingss of the film. She negotiations and Acts of the Apostless like a & # 8220 ; tough cat & # 8221 ; while showing a really feminine organic structure. The ways in which she shows her organic structure, along with her playing, presents her as America & # 8217 ; s tough miss, to be idled along with the hero.
The Agents are the dark forces of the A.I. computing machines that work against all the attempts of our hero and his small set that conflict to halt them. They are dark complex characters with the ability to change the matrix and hinder, or kill, the group of worlds seeking to halt them. Their unemotional faces and voices add to their dark tone and temper.
Cipher is another of import character due to the fact the he was contending for the cause of delivering humanity, but turns treasonist and gives in his friends merely so he can travel back to his small gustatory sensation of non-reality. His immorality and conniving attitudes are foreshadowed on a few occasions when some of his true personality shows through. One illustration would be the scene where Neo and Cipher are sitting at the computing machine terminuss in the ship and Cipher starts prising into why Neo is at that place, and how he got at that place. His insurgent techniques in his linguistic communication and tone intimation at a darker side, which becomes more apparent lat
Linda Seger & # 8217 ; s article & # 8220 ; Making the Myth & # 8221 ; illustrates how & # 8220 ; the journey toward gallantry is a procedure & # 8221 ; ( 309 ) . She first wants the reader to understand that most heroes & # 8217 ; get down out as non-heroes ( 309 ) . This can be applied to our larger than life hero of Neo. Normally, non-heroes are immature and have a simple life, something comfy. Our hero in The Matrix starts out every bit merely a normal and mean Joe who goes to work at 8:00a.m. and comes place at 4:00p.m.
Harmonizing to Seger, a accelerator is now introduced ( 310 ) , as is done in this film with Neo. He is contacted by Trinity who is the accelerator, which sets things in gesture to convey the secret plan of the film and the soon-to-be hero together. Neo is loath to go forth his comfort zone ; he can & # 8217 ; t truly accept everything because it & # 8217 ; s all happened so fast to him. This follows the point of Seger that the hero will be loath ( 310 ) .
Seger so states that the hero will have aid ( 310 ) ; it is Neo being pushed by Morpheus that helps him recognize his possible, and his importance to him.
As Morpheus whups up on Neo in the soldierly humanistic disciplines sparring plan, Neo realizes what he can make with the matrix and is & # 8220 ; transformed & # 8221 ; into the hero he needs to be to salvage the twenty-four hours. This transmutation is shown by Seger to be an obstruction that must be passed so the hero can turn ( 310 ) .
The major trial and obstruction mentioned by Seger to be the following measure in the procedure of acquiring to the degree of being a mythic hero ( 311 ) . Neo has to acquire past the obstruction of Morpheus being taken by the Agents ; this is particularly bad for Neo because he was told this would go on.
With the loss of Morpheus from the group, Neo feels that all is lost. This can be seen as the stone underside as mentioned by Seger ( 311 ) . Thankfully Neo hadn & # 8217 ; t given up all hope. Now that Morpheus was in the custodies of the Agents, Neo took charge of what would go on next. He planned a deliverance to salvage Morpheus before he had to be terminated to protect the secret of the human metropolis Zion. Seger besides illustrates this assuming of leading by the hero ( 311 ) .
Approaching the terminal of this journey to being the larger than life, or harmonizing to Seger fabulous, hero who is remembered in people & # 8217 ; s Black Marias is the last obstruction and chase scene ( 311 ) . After the deliverance of Morpheus, and the flight of Morpheus and Trinity, Neo is trapped in a metro left entirely to contend an Agent. After a conflict to the decease, Neo emerges exultant, or so he thought. After the Agent returns from a tally in with a metro train, Neo decides to run. His finish, the nearest issue from the matrix, his obstruction, all the Agents hell-bent on make fulling him with holes.
Last, Neo is eventually surprised in a room access and gunned down by an Agent, but following Seger & # 8217 ; s procedure, Neo is reborn. Upon his metempsychosis he realizes his true control over the matrix and quickly hold a fusillade of slugs from the now disgruntled Agents.
This is the procedure, which Seger believes makes a true mythic hero, The Matrix really closely parallels this construct and creates the fabulous, and larger than life hero, Neo.
Another article relevant to this film would be Kevin Jenning & # 8217 ; s article & # 8220 ; American Dreams. & # 8221 ; This is based upon how the writer tried to trail down the American dream and allow it govern his life. He was so dead set on accomplishing this dream he allow it acquire in the manner of who he truly was. This relates to the hero Neo in The Matrix because Neo for a clip tried to deny that he truly did hold something besides merely a bland small world. He failed to see that he was more than what he thought he was, and after he dealt with the fact that his life had merely changed radically, he aspired to be a warrior and a hero to take a base against immorality.
It is the American audience who decides whether or non a hero is merely another hero or is something more. I think the American audience for The Matrix have already spoken, the money that The Matrix earned in the box office proves that. Neo has appealed to the illusions and Black Marias of persons as a true larger than life hero.