Essay, Research Paper

Harmonizing to the Taoist believes, everything in the universe exists as the Yin Yang relationship. Yin and Yang, the brace of complimentary antonyms, merge with each other to organize the perfect circle of integrity. Ying would non hold existed if there was no Yang, and frailty versa. The construct of Yin Yang is presented throughout the novel, Bless Me, Ultima, by Rudolfo Anaya. By exemplifying the presence of the complimentary antonyms within both the characters and the natural elements, Anaya efficaciously conveys the subject of cosmopolitan integrity of the balanced antonyms.

An indispensable brace of natural elements that exists as the complimentary antonyms in this novel is the Moon and the sea. The Moon, with its beams of the laid-back visible radiation, is frequently considered to be soft and mild. Alternatively, the sea, with its violent moving ridges, is often anticipated to be wild and foolhardy. Antonio, in his dream at the terminal of chapter 11, is confused about whether he belongs to the salt H2O of the sea or the sweet H2O of the Moon. ( 120 ) Here Anaya uses the imagination of two opposite gustatory sensations to demo the difference between the sea and the Moon. Later in the dream Ultima teaches Antonio that the sweet H2O of the Moon K fill the seas and the salt H2O of the ocean K become once more the Waterss of the Moon. ( 121 ) Deducing from that, one can see that the Moon and the sea are wholly opposite to each other ; yet they are woven together in the broader image. The Moon will non be complete without the sea, merely as the sea will hold no tides without the Moon, both supplementing each other. The subject of the brotherhood of the two antonyms is symbolized by the Moon and the sea.

The merger of the sea and the Moon can besides be reflected upon the characters. Anaya intelligently mixes the blood of Marez, the people of the sea, together with the blood of the apparently different Lunas, the people of the Moon, to organize the Marez household. Gabriel Marez represents the Marez blood ; while his married woman, Maria Marez, portrays the blood of the Lunas. The Marez are ebullient like the land and every bit restless as the sea, while the Lunas are moderate and quiet like the Moon. ( 6, 41 ) Through the usage of similes, Anaya has efficaciously and vividly drawn the nexus from the sea to the Marez and every bit good from the Moon to the Lunas. These similes besides present the distinguishable opposite features of the two bloods. In Antonio s dream at the terminal of Chapter 11, Gabriel cry [ s ] as Maria croon [ s ] quietly. ( 120 ) The imagination and the word pick instantly indicate out the fact that in contrast the Lunas are more feminine and the Marez are more masculine. However, interestingly, there are times when Maria proves to be more masculine and Gabriel more feminine. When traveling to the mass, Maria shows strength when she leads [ her household ] with her fleet proud walk. ( 33 ) As tough a adult male as Gabriel is, he still cry [ s ] because the war hour angle [ s ] ruined his dream. ( 14 ) Despite the

fact that Maria and Gabriel were born strictly of the Luna and Marez blood, they still have a spot of each other in themselves. Maria and Gabriel, each holding really dissimilar features as a consequence of the their distinguishable backgrounds, are able to get married and populate merrily together. The two compensate for what the other deficiencies, as one provides protection and one provides the love and attention for the household. The Marez twosome is the perfect illustration of the complementary resistances in characters, as it suggests to the readers that the integrity of balanced antonyms is so cosmopolitan.

As the regulation of complementary antonyms exists in characters, it is besides inferred to be true with the Gods. A resemblance of the Marez twosome in the celestial spheres is God with the Virgin. God [ is ] non ever forgiving while the Virgin ever forgives. ( 44 ) God is a elephantine adult male who has a awful voice like boom reverberation [ ing ] through the skies. ( 44, 173 ) While the Virgin [ is ] a adult female with a sweet and soft voice Kfull of a quiet peaceable love. ( 44 ) From the above extracts, we can clearly see Anaya s word pick in consequence. God is described with forceful words such as awful, boom, and giant ; while the Virgin is described with soft words such as Sweet, gentle, quiet, and peaceful. The difference between God and the Virgin is obviously emphasized through the elaborate description by the author. The opposite qualities of God and the Virgin are all possessed by Ultima. Ultima is powerful like God for she command [ s ] the power from the celestial spheres and the power from the Earth obey [ s ] her. ( 120,121 ) Ultima s ain decease is predicted by herself at the beginning of the book, as she knows she has come to pass the last yearss of [ her ] life [ in the Llano ] . Anaya s usage of boding here shows that Ultima besides portions God s omniscience. Ultima forgives like she does with Antonio as he calls her utilizing her name the first clip they met. However, Ultima can be unforgiving as she punishes Tenorio s girls with decease. The motherly love of Maria and the Virgin are found in Ultima as she takes attention of Antonio with her soft custodies and gives him careful counsel. ( 40,15 ) As the resemblance of a perfect being in the novel, Ultima is the combination of the balanced antonyms of God and the Virgin. Because Ultima has the quality of both male and female, she is perfect. Ultima herself is an illustration of accomplishing perfect integrity through the meeting of two complementary antonyms.

The Yin and the Yang, the Moon and the sea, the male and female, the violent and the passive, are merely a few illustrations of the balanced antonyms bing in our universe. Creation of such integrity is through the existing of the two separate elements. The doctrine of the Yin Yang relation and the cosmopolitan perfect integrity is decidedly a elusive yet important subject of the novel. It is surely astonishing to conceive of that everything around us is merely a fraction of a portion in the great rhythm that binds us all. ( 121 )