Midsummer Essay, Research Paper

Comparison OF:

ROBERT FROST? S

? Fillet BY WOODS ON A SNOWY Evening?

AND

? ACQUAINTED WITH THE NIGHT?

Robert Frost? s verse forms? Stoping by Woods on a Snowy Evening? and? Acquainted with the Night? seem to be ordinary verse forms at first glimpse, but after an in depth expression at these plants and how they relate, they become much more. Frost seemed to maintain a tone of enigma throughout each of these verse forms, ne’er really stating the reader precisely what was traveling on. By the same item, the verse forms gave off sense of darkness and somberness merely adding to the enigma of what lies in front. Neither of the characters in these verse forms seem to be really happy which besides augments the glooming temper of these verse forms. The characters in these verse forms besides appear to be on some sort of journey, but are loath to travel in front and happen out what destiny has planned for them. A sense of duty is besides present in these verse forms, an duty which must be fulfilled, whether the character likes it or non.

More easy seen is the enigma in each of these verse forms. Frost keeps the reader in suspense by ne’er stating the reader what precisely is traveling on, but merely touches on what might be traveling on. And to do things even more cryptic, he gives you intimations, and leaves the reader with a batch to believe about in these verse forms. In? Stoping by Woods on a Snowy Evening, ? Frost exhibits this reasonably clearly when his character references in the first line of the verse form? Whose forests these are I think I know/His house is in the small town, though ; /He will non see me halting here. ? These first three lines set a temper of dishonesty, as if the character is non supposed to be at that place, but it? s all right for now because the proprietor doesn? T cognize he? s at that place. This small intimation pops a inquiry in your head, ? What precisely is this cat making? , ? hence the enigma. Frost one time once more sets the temper for enigma in? Acquainted with the Night, ? by doing known the presence of authorization when his character provinces, ? I have passed by the watcher on his beat/And dropped my eyes unwilling to explain. ? The character seems to be experiencing guilty, or afraid of the authorization figure and drops his eyes to the watcher because of this. But why would he experience guilty or afraid? Again, a cryptic intimation.

Besides projected by these verse forms is a sense of darkness, which goes manus in manus with the enigma in these verse forms. The rubrics of these verse forms entirely suggest darkness. Let me inquire you one inquiry ; what clip of twenty-four hours is the most cryptic? Of class the? Evening? or? Night? is the most cryptic clip of twenty-four hours. But Frost does non halt here in stressing darkness in these verse forms. ? The darkest eventide of the year. ? This choice from? Stoping by Woods in a Snowy Evening, ? amplifies even more the sense of darkness in these verse forms. Why is this eventide? the darkest of the twelvemonth? ? Night is dark no uncertainty. But what makes this flushing so dark? Is it so dark because the cloud screen from the snowfall is barricading out the Moon and stars, profaning the available visible radiation? If this is true, so how could at that place be adequate visible radiation to? watch his forests make full up with snow, ? to see that there is? [ no ] farmhouse near, ? or that? the forests are lovely, dark and deep? ? Possibly it is non that the eventide is dark in the sense of dark versus twenty-four hours, but possibly it is a personification of how the character feels. Possibly the character has hit a low point in their life and this is why the character describes the dark as? The darkest, ? i.e. the lowest or saddest, ? eventide of the year. ? From? Acquainted with the Night, ? Frost? s character references, ? I have outwalked the furthest metropolis light. ? When the character states that he hold? outwalked the furthest metropolis visible radiation? it undertakings a really stron

g and big sense of darkness. During the dark, the brightest visible radiation may be from a metropolis, and to? outwalk? this strong visible radiation, the character must walk really far, hence, ? furthest. ? Immediately after this line, the character says? I have looked down the saddest metropolis lane. ? This line seems to be a metaphor of the fact that the character knows how it feels after he has gone off from this strong visible radiation. It is like the stating? I? ve been down that route before. ? The character is left with the feeling of unhappiness and void, because of the darkness. In both of these poems the darkness adds to the enigma, but it besides parallels how the characters? feel.

Precisely, why do the characters feel so dark and sad? What is so glum? In? Stoping by Woods on a Snowy Evening, ? the character states that? The forests are lovely, dark and deep/But I have promises to keep. ? This shows that the character would love to remain, but he must travel. It seems that this character is loath to go forth the peaceful and beautiful forests to carry through some demoralizing duty. In? Acquainted with the Night, ? the character describes how he feels about what he is making his undertaking, ? I have walked out in rain? and back in rain. ? The stating, ? rain on my parade, ? helps to depict how the character feels. Rain is the feeling of pessimism and desperation. This character feels despondent from the minute he departs to make what he has to make, ? out in rain, ? and feels no better, if non worse when returns? back in rain. ? Frost emphasizes the somberness felt by the character really good with the, ? ? and back in rain, ? portion of the line. It seems he is seeking to state, it is bad plenty to hold to walk at that place in rain, but even worse to hold to walk back in the rain besides. Another extract from this verse form shows that the character is loath to travel and make what he has to make? ? When far off an interrupted cry/Came over houses from another street, /But non to name me back or state good-bye. ? It seems like the character is looking for something to give him an alibi to turn back, and the? call? might hold been merely what he had been looking for, but it did non impact his journey in any manner, ? ? non to name me back or state adieu. ?

Another factor nowadays in each of these verse forms is that clip will convey a alteration for the good. In? Stoping by Woods on a Snowy Evening, ? the character states that? The forests are lovely, dark and deep/But I have promises to keep. ? This statement shows that the character would wish to remain, but it is clip continue with his journey and make what he has to make. The last two lines of this verse form are repeated. They are as follows: ? And stat mis to travel before I sleep/And stat mis to travel before I sleep. ? The first clip this line is stated it can be taken about literally. It means that his journey is far from over, but finally he will be able to rest. When the line is repeated, its concealed significance is easier to bring out. It means that for now, he must maintain on making what he is making, but finally, all this will stop and he will happen his peace. It? s like the stating, ? Hard work wages off. ? In? Acquainted with the Night, ? the lines, ? And further still at an spiritual tallness, /One luminary clock against the sky/Proclaimed the clip was neither incorrect nor right, ? use the Moon in a really interesting manner. The Moon is light, but it is besides a clock. Light is the antonym of dark, i.e. good is the antonym of bad. This symbolizes that the good is on its manner but its merely a affair of clip, but for now, the character must go on with his undertaking.

In both verse forms Frost undertakings an image of dark unhappiness, seemingly about what each of the characters must make in order to carry through his duties. The characters do non desire to make these things, but he has no pick. Then, the symbolism in the verse form show the happy stoping.