Untitled Essay Research Paper Shakespeare is a

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Shakespeare is a good known writer who wrote in the 1500 & # 8217 ; s. Many of his dramas

are classified as calamities. Harmonizing to the Oxford lexicon of current

English, a calamity is described as a serious catastrophe or a sad event. In

Shakespeare plays, calamity is identified as a narrative that ends unhappily due

to the autumn of the supporter, which is the tragic hero. For a drama to be

a calamity, there must be a tragic hero. In the drama Romeo and Juliet, Romeo

is the tragic hero. The subject of calamity plays a great function in the drama Romeo

and Juliet. By analysing Romeo & # 8217 ; s tragic defect, his baronial birth, his series

of hapless determinations, the agony of Romeo that extends beyond himself, it

is apparent that Romeo and Juliet is classified as a calamity.

A individual must posses certain qualities that classify one

as a tragic hero. One of these qualities is the baronial birth of a character.

In the drama Romeo and Juliet Romeo being the tragic hero, possesses that

quality. Romeo is a Montague, and in the metropolis of Verona the Montagues are

a well known and respected household. It is a known fact that the Montagues

are of baronial birth when it is said by Benvolio in Act 1, Scene 1, Line 141:

& # 8220 ; My baronial uncle. & # 8221 ; Benvolio is mentioning to Lord Montague, who is the male parent

of Romeo. The Montagues are besides a rich household, and that is one of the grounds

for the regard for Romeo. & # 8220 ; Verona crows of him & # 8230 ; a bears him like a partially

gentleman. & # 8221 ; This was said by Lord Capulet in Act 1, Scene 5, Lines 65-66.

This quotation mark illustrates that even Romeo & # 8217 ; s enemies know good of him and cognize

that he is respected and talked about by the citizens of Verona. Normally

when a character is introduced as being baronial, the audience is cognizant that

in the terminal of the drama, the character will hold a tragic autumn.

Another necessary quality possessed by a tragic hero is

the hero & # 8217 ; s tragic defect, which in Romeo & # 8217 ; s instance is falling in love excessively rapidly

and deeply. & # 8221 ; To seek a tragic defect in either Romeo or Juliet is a foolish

and futile. & # 8221 ; & # 8211 ; remarks Harold Goddard, a critic from the book: & # 8221 ; Modern

critical positions, William Shakespeare the Tragedies. & # 8221 ; Goddard supports the

thought that holding a tragic defect is a portion of being a tragic hero. Another

critic provinces that & # 8221 ; if Romeo & # 8217 ; s character does hold a tragic defect, it is

vernal impetuousness ; an older or more calculated adult male might someway hold

managed to avoid the wrangle and would non hotfoot to kill himself every bit shortly as

he believed that Juliet was dead. & # 8221 ; ( Phillis Rackin, writer of & # 8221 ; Shakespeare

Tragedies. & # 8221 ; ) In the drama Romeo and Juliet romeo & # 8217 ; s tragic autumn being he falls

in love excessively rapidly and excessively profoundly, brings him to an atrocious terminal. In the beginning

of the drama one is introduced to Romeo being profoundly and hopelessly in love

with Rosaline. However Rosaline does non experience the same manner about Romeo. This

is when Romeo is unhappy and says to Benvolio: & # 8220 ; Not holding that which makes

holding short. & # 8221 ; ( Act 1, Scene 1, Line 162 ) . This really good illustrates how

profoundly Romeo was in love with Rosaline. In the following scene the audience realize

that Romeo hour angle fallen for another, which is Juliet. & # 8220 ; For I ne & # 8217 ; er saw true

beauty boulder clay this night. & # 8221 ; -Said by Romeo in Act 1, Scene 5, Line 52.The audience

can rapidly place Romeo & # 8217 ; s defect of falling in love excessively rapidly and deeply

when he forgets about his feelings for Rosaline and dressed ores on Juliet.

Juliet excessively realizes that Romeo & # 8217 ; s love for her was excessively fast when she said

: & # 8220 ; It is excessively rash, excessively undvis & # 8217 ; vitamin D, excessively sudden. & # 8221 ; ( Act 2, Scene 2, Lines 117-118 ) .

Having a tragic

defect could be boding of the autumn of the tragic hero.

Rome being the drama & # 8217 ; s tragic hero makes a series of hapless

determinations. The first determination of many was traveling to the Capulet & # 8217 ; s party. & # 8221 ;

Direct my canvas! Oh lustful gentlemen. & # 8221 ; Says Romeo in Act 1, Scene 4, Line 113.

If Romeo did non travel to the party he would non hold met Juliet. It was unneeded

for Romeo to seek to halt the battle between Tybalt and Mercutio. If Romeo

did non seek to halt the battle, Mercutio would non hold been killed, and the

battle between Romeo and Tybalt would non hold existed. Romeo says in Act

3, Scene 1, Line 94: & # 8221 ; Courage, adult male ; the injury can non be much. & # 8221 ; , when he

attempts to halt the battle between Tybalt and Mercutio. Romeo makes the incorrect

pick when he decides to contend Tybalt for the decease of Mercutio. & # 8220 ; Either

1000, or I, or both, must travel with him. & # 8221 ; ( Act 3, Scene 1, Line 1290. This

quotation mark refers to Romeo & # 8217 ; s dispute for Tybalt. If Romeo did non fight Tybalt

he would non hold been banished from Verona. Another one of Romeo & # 8217 ; s hapless

determinations was the determination to perpetrate self-destruction, which was besides his last determination.

& # 8220 ; O true pharmacist, thy drugs are speedy, therefore with a buss I die. & # 8221 ; Said Romeo

in Act 5, Scene 3, Line 120, right before he died. If merely Romeo decided

non to imbibe the toxicant he would hold been alive to see Juliet aftermath. All

these determinations caused Romeo, the tragic hero, to stop his life tragically.

The agony of the tragic hero besides extends beyond himself.

Due to the actions of Romeo, Mercutio and Tybalt died. & # 8220 ; When he tries to

do peace between them and Mercutio is fatally wounded, Romeo comments

pitiably & # 8216 ; I thought out for the best. & # 8217 ; & # 8220 ; – Remarks Phillis Rackin writer

of Shakespeare Tragedies. & # 8220 ; Mercutio & # 8217 ; s psyche is but a small manner above our

caputs & # 8221 ; , comments Romeo after Mercutio & # 8217 ; s decease, caused by Romeo. Tybalt & # 8217 ; s decease

besides consequences from Romeo & # 8217 ; s hapless actions. After Romeo & # 8217 ; s decease Lady Montague

dies of a bosom onslaught. Lord Montague says to the Prince in Act 5, Scene

3, Line 209: & # 8220 ; Alas my leige, my married woman is dead tonight. & # 8221 ; Because of Romeo,

Juliet decides upon her ain decease. She argues with her male parent, drinks the

potion, and subsequently knife herself, all for the love for Romeo. Verona & # 8217 ; s peace

is disturbed by all the disturbance of the battles between the Capulets and

the Montagues, caused chiefly by Romeo. There is still no peace in the streets

of Verona. The households of both Romeo and Juliet suffer over the loss of

their kids, and everyone is unhappy. Since Romeo brought enduring upon

people instead than himself, he is genuinely the tragic hero and makes the drama

Romeo and Juliet a calamity.

It is obvious that in the drama Romeo and Juliet, Romeo

is the tragic hero. This is apparent when the audience see Romeo & # 8217 ; s baronial birth,

his tragic defect, series of hapless determinations he made and the fact that through

his actions he brought enduring upon other people. Most dramas, narratives or

novels have a moral. The moral of Romeo and Juliet is non to hotfoot into things

like love, hatred and of import determinations. All people should believe twice about

every determination they are doing. From all the grounds stated in this paragraph

along with the paragraphs above it is said that Romeo and Juliet is classified

as a tragedy.WORKS CONSULTED

Bloom, Nasold. Modern critical positions. William shakespeare the

Tragedies.1985

Rackin, Phillis. Shakespeare & # 8217 ; s Tragedies. 1978

Brodley, A.C. Shakespearian Tragedy. 1986

Oxford school Shakespeare. Romeo and Juliet. 1982THE Elementss THAT ESTABLISH THE PLAY AS A TRAGEDY

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